Movies: Hollis Frampton

A pendulum swings by until it comes to a complete stop....

Home movies shot on Super 8mm by W+B Hein over 10 years....

"Two repetitive, banal rhythmic acts - as it were from the observe and reverse of a phenakistiscope disk - factored and expanded into a cinema filmstrip. Note: Prince Ruperts Drops are not a confection or a nose candy, but a physical demonstration of...

A series of papers flutter in the wind....

Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way through the city and eventually made it to the island. We followed each other around. We enjoyed ourselves. We s...

Shot at a steel mill, Winter Solstice is full of outpourings of fire, of smoke, of sparks, of molten metal — all erupting against an otherwise black background in an activated pictorial space....

A butchered cow is decapitated in this short film by Hollis Frampton....

The camera pans across a field of flowers at extreme speeds....

In GLORIA! Frampton juxtaposes nineteenth-century concerns with contemporary forms through the interfacing of a work of early cinema with a videographic display of textual material. These two formal components (the film and the texts) in turn relate ...

A series of ghost-like vehicles drive by....

A sampling of forty-nine fragments from Frampton's catalogue of 'actualities', the films from STRAITS OF MAGELLAN: "DRAFTS AND FRAGMENTS" are all silent and unedited. Several invoke, directly, the work of the Lumieres, as in Frampton's reworking of D...

Scottish physicist James Clerk Maxwell's classic theory about the behavior of gas molecules is represented on-screen by a man performing a series of Canadian air force exercises....

"Near the end of 1973, Frampton realized that he had not finished a single film over the course of a year. He promptly conceived and executed LESS, a doubly punning work in which a minimalist Frampton generates a twenty-four frame (one-second) loop o...

While working at a photo lab, Frampton found that the waste at both ends of the rolls of processed film—where chemicals worked on the emulsion through clips used to attach the film to the machine—produced images far too interesting to be discarded. ...

“The frame itself, which divides what is present to consciousness from what is absolutely elsewhere, is tempered here by the breath, tremor, heartbeat of the perceiver. People this given space, if you will, with images of your own devising.” – HF...

"A vision of a journey, during which the eye of the mind drives headlong through Salisbury Cloister (a monument to enclosure), Brooklyn Bridge (a monument to connection), Stonehenge (a monument to the intercourse between consciousness and LIGHT)... v...

"Homage to Michael Snow's environmental sculpture 'Blind.' The film proposes analogies, in imitation of three historic montage styles, for three perceptual modes mimed by that work." -HF...

Artificial Light repeats variations on a single filmic utterance twenty times. The same phrase is a series of portrait shots of a group of young New York artists talking, drinking wine, laughing, smoking, informally. The individual portrait-shots fol...

Short film by Hollis Frampton...

"After two years of massive didacticism in black-and-white [Hapax Legomena (1971-72)], I am surprised by Tiger Balm, lyrical, in color, a celebration of generative humors and principles, in homage to the green of England, the light of my dooryard… an...