Movies: Lawrence Jordan

This wacky prequel to the 1994 blockbuster goes back to the lame-brained Harry and Lloyd's days as classmates at a Rhode Island high school, where the unprincipled principal puts the pair in remedial courses as part of a scheme to fleece the school....

Animation using cutout animation to craft a bizarre science fiction experiment. Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery....

Four young men and a young woman sit in boredom. She smokes while one strums a lute, one looks at a magazine, and two fiddle with string. The door opens and in comes a young man, cigarette between his lips, a swagger on his face. The young woman laug...

The Extraordinary Child applies his developing style to broad slapstick. His friends from the previous films and the director himself play out a riotous farce about an overgrown baby who steals his father’s cigars. Everyone mugs hilariously. The movi...

A sombre day in the city. "A Legend for Fountains" is the 16-minute version, "A Fable for Fountains" the 6-minute version....

In describing the basis for TRIPTYCH IN FOUR PARTS, artist Lawrence Jordan writes, "Part one is the Portrait of a North Beach artist, John Reed. Part two and three take place in the desert of the Southwestern United States and Mexico, where I went in...

Jordan’s imagery is exquisite and eloquent, concentrating on simple, repeated use of particularly poetic symbols and figures, a conglomerative effect of old Gustave Dore drawings, 19th century whatnot memorabilia, all fused to a totally aware percept...

In describing the foundations for SOLAR SIGHT, artist Lawrence Jordan writes, "A question I had in mind was: what's the place of the human being in the cosmos? More and more we think about what is 'beyond.' Less and less is art concerned. I don't kno...

Animation. The theme is Weightlessness. Objects and characters are cut loose from habitual meanings, also from tensions and gravitational limitations. A lyric Eric Satie track accompanies the film. Such a portrait seems necessary from time to time to...

A celebration of the filmmaker’s daughter’s birth. The blazing garden as a metaphor for the cycle of life....

The Visible Compendium constructs bits of unnamed meanings, fragments of light. Photography is, to me, not about things, but about light. Light is our primary reality when we are at the movies. Light which suggests things, the secondary reality, a co...

Against the coastline of the Big Sur country the camera catches swiftly shifting fragments of the nude women at the baths, playing the guitar, cutting the hair, sleeping. The camera movement is used to slightly smear the images onto the film emulsion...

There is a hint of an under water circus, and many of the performers are acrobats. The sea water, if that's what it is, is yellowish brown. A full-faced sun rises from the Sun King's cradle, while a moon of Saturn circles the planet. The cut-out an...

On ancient star maps of magnificent color quality, experimental animator Lawrence Jordan takes the viewer out of this world into a world of cosmic imagination.—Canyon Cinema...

An anatomy of violence. Four young men and two young women are on a drive. There's a rivalry between two guys for one of the girls. On a remote road, the car stalls. The driver hitchhikes for help. Led by the intrepid girl, the others walk toward aba...

"After GYMNOPEDIES, I had long wanted to animate a film specifically for a pre-selected piano piece by [Erik] Satie. MOONLIGHT SONATA is that film. It was totally designed for the 'Gnossienne V' and the movements of the animation are timed to the ove...

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival W...

The scene is set in front of a French chateau. The camera chases improbable incidents across the screen. Many are constructed out of one of Jordan's favorite engravings illustrators: Poyet. Duels occur on a tight rope. Heavier-than- air machines fly ...

A simple contemplation of the plum tree through a window. In rich black and white....

Orson Welles reads the poem especially for this film by Larry Jordan, which is dedicated to the late Wallace Berman, and is made possible by a grant from The National Endowment Of The Arts....