Movies: Larry Gottheim

Filmmaker Jonas Mekas films 160 underground film people over four decades....

Home movies shot on Super 8mm by W+B Hein over 10 years....

"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic c...

The story of quantum Alice and quantum Bob. Words, and music....

It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RU...

Larry Gottheim’s Fog Line consists of a fixed shot of clearing fog in a valley in upstate New York where he lived and worked in the early seventies....

The comings and goings of the late underground filmmaker, Curt McDowell—and the people and activities that came and went along with him—are the themes that run through this existential diary of daily life. McDowell was dying from AIDS-related illness...

Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image sections. This established affinities between each of the image sections to the others, and the sound sect...

Working with Virgil’s four-part poem “Georgics” and Antonio Vivaldi’s concertos “The Four Seasons” as models, Gottheim arranged his painterly compositions into four distinct sections, each edited according to its own exacting pattern. The seasonal fl...

Christened for the Greek mythological personification of human memory, MNEMOSYNE, MOTHER OF MUSES is Larry Gottheim's facsimile edition of how one reflects on life and experiences (namely, in flashes and excerpts of sound and imagery). Typically know...

A fixed camera companion to FOG LINE. Bright green leaves stripped from ears of corn, and later, the vibrant yellow ears placed steaming in the waiting bowl. Each of these actions inaugurates a period in which one contemplates an image whose steady t...

Arguably Larry Gottheim’s most exuberant experiment in the single-shot, single-roll format (and his first with a soundtrack), HARMONICA trains the camera on a friend improvising a tune in the backseat of a moving car. Held out the window, the harmoni...

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - anal...

"There are scenes of Vodou ceremonies in which I participated, scenes filmed during an uprising, personal images (Hand is my son from a Haitian marriage) but this is far from a documentary. There are no sounds other than the sync sounds that accompan...

Documents Harpur College's Afro-Latin Alliance....

"A film about transformations. It was made with students from one of my seminars. We attempt to deconstruct a poem’s language by playing it backwards until some words emerge from the backward text. The students then created film images that illustrat...

A bowl of blueberries in milk, changing light radiant on the berries and on the glazed bowl, the ever more radiant orb of milk transforming into glowing light itself, with a brief shadow coda answering the complex play of shadows. The regular pulses ...

A cosmic voyage into hidden knowledge....

The second in Larry Gottheim's ELECTIVE AFFINITIES cycle, MOUCHES VOLANTES is, in the filmmaker's own words, "a celebration of elusive relationships" between sound and image, color and black-and-white, the moon and the waves, the aural testimony of B...

"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between ...