Movies: Takahiko Iimura

Filmmaker Jonas Mekas films 160 underground film people over four decades....

"On John's 31st birthday, Yoko held an art exhibit, "This Is Not Here", at the Everson Museum of Art in Syracuse, N.Y.. The show was taped and aired on U.S. TV on May 11, 1972 as "John and Yoko in Syracuse, New York."...

Home movies shot on Super 8mm by W+B Hein over 10 years....

A program of five films on love and sex from the Japanese underground of the experimental cinema, assembled by avant-garde cineaste Takahiko Iimura, and shown at the American Cinematheque from January 19 to 25, 1967....

This is a film about a medium approaching extinction, an 8mm documentary film about a vanishing 8mm cinema. Blending two genres, the science film and the personal film, and benefiting from the participation of multiple generations of cineastes, it is...

Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image sections. This established affinities between each of the image sections to the others, and the sound sect...

labeled in the CCJ as "Why Not Sneeze?", this film has been described as blatantly inspired by Marcel Duchamp’s ANEMIC CINEMA....

A voice performance by John Cage who "reads", "vocalizes" and "whispers" in three different manners his artificial language taken from "Finnegens Wake" by James Joyce. Cage freely composed the letters according to a chance operation using the I-Ching...

MAN AND WOMAN shows full body shots of a naked man and woman shot from above without movement. They are shown alone as well as together, one over (or under) the other symbolizing in words at the same time, their positions...

"Double Portrait" and "I Love You" are a paired piece with Akiko Iimura. Both Iimuras play individually as well as a unit. In "Double Portrait" they are never together, but one by one in three points of view, front, side, and back, assigned to the wo...

"Shot on 8mm on a mountain in Japan, the abrasive winds that drift the fog in Iimura's Kiri are so fierce we almost believe it to have grazed the filmstrip. The scratches, however, emerge as dust particles that submerge in and out of the mist. A comp...

Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is m...

A document of Tatsumi Hijikata's Butoh dance with Kazuo Ohno as the guest dancer shot in Hijikata's early period when he was emerging as the originator of Butoh. All of the male dancers are dressed up with evening suits and move gracefully, yet an in...

"10 minutes of the act of creation itself run through close up and magnifying lenses. " -T.I....

“ONAN is a work about desire (masturbation) which has no object but itself. The appearance of the large egg objectifies the man's desires. After colliding with the other (a girl), the hero falls down while still holding the egg, thus caricaturing the...

The three faces (two women and one tranvestized man) in the series of close up, which are shot separately in their sexual process of the acting and the real, are intercut and edited making into a film. The sound is the voice of continuous laughing of...

The early sixteenth-century Japanese garden in the Zen temple of Ryoan-ji, in Kyoto, is considered a masterpiece of the karesansui or "dry landscape" style... In this film, the viewer is invited to experience the garden as an embodiment of ma, a Japa...

Cameras once again observing each other....

Filmed turning the camera upside down, and without looking through the viewfinder, this experimental short features fragmented scenes of people, a girl, an amusement park, the beach, etc....

"The Making..." showed not only the process of film-making, but also the creation of "MA" as a work....